MUSI 2730 Lecture Notes - Lecture 11: Scherzo, Choral Symphony, Hearing Loss
Document Summary
Instrument work for one or two instruments consisting of three or four contrasting movements. Movements follow the same basic pattern as other multi-movement cycles. Troubled family situation (dad an abusive drunk) Emergence of middle-class- treated as equal, not a servant. I (cid:272)arr(cid:455) (cid:373)(cid:455) thoughts (cid:271)out (cid:449)ith (cid:373)e for a lo(cid:374)g ti(cid:373)e before (cid:449)riti(cid:374)g the(cid:373) do(cid:449)(cid:374). Piano sonata in c-sharp minor, op, 27, no. Composed in 1801 at the end of his first style period. Retains the three-movement format: first movement, elements of a development section, delicate signing melody, continuous triplet pattern. 9, choral symphony, vocal soloists and chorus along with full orchestra. Unified whole, struggle/ conflict that leads to victory. 1st movement- sonata- allegro form, recurring rhythmic motive. 2nd movement- theme and variations, return of motive. 3rd movement- scherzo and trio, no break between movements 3 and 4. 4th movement- sonata- allegro in c major, return of motive.