DANC 100 Lecture Notes - Lecture 11: Louis Horst, Concert Dance, Group Dynamics
Document Summary
Separating the dancer from the dance: dancer. Where and how choreography adheres to the body. If the dance is truly engrossing and the audience is enabled to become one with the moments of performance. It might indicate a successful confluence of the choreography with the dance. If you find that the dancers seem proficient yet their communication to you seemed dysfunctional. The composition might need to be examined: separating the impact of the performance dance. First step in being able to discuss choreography. Actors are waiting for their dialogue and preparing the work for a performance: building a dance. Interaction: choreographers have a gift but it is a learned craft. Studied choreography by watching methods of established choreographers. Provided education by uni programs: martha graham"s mentor --- louis horst. Leading dancers from pure inspiration to a world that combined passion with the tools of logic. Taught existing concepts of form + style taught to composers.
