MUSA1300 Lecture Notes - Lecture 3: Ballroom Dance, Strophic Form, Music Of Cuba

• School: Boston College
• Department: Music Academic
• Course: MUSA1300
• Professor: Timothy Mangin

Document Summary

Exerted a lasting impact on popular music in the united states. U(cid:374)til (cid:1005)9(cid:1007)(cid:1004), (cid:862)lati(cid:374)(cid:863) or (cid:862) pa(cid:374)ish(cid:863) (cid:373)usi(cid:272) i(cid:374) ne(cid:449) york a(cid:374)d other a(cid:373)eri(cid:272)a(cid:374) (cid:272)ities (cid:271)asi(cid:272)ally (cid:373)ea(cid:374)t ta(cid:374)go. Azpiazu and his group gave american audiences their first taste of authentic cuban music in 1930. Attracted an audience that included cuban and puerto rican immigrants, but also reached across ethnic lines. The (cid:272)e(cid:374)terpie(cid:272)e of azpiazu"s stage sho(cid:449) (cid:449)as a so(cid:374)g titled (cid:862)el ma(cid:374)isero(cid:863) (cid:894)the pea(cid:374)ut ve(cid:374)dor(cid:895), (cid:272)o(cid:373)posed by the cuban pianist moises simon. Uses a repeated rhythmic pattern called the clave, ofte(cid:374) referred to as the (cid:862)heart(cid:271)eat(cid:863) of cu(cid:271)a(cid:374) (cid:373)usi(cid:272). In cuban music the pattern is played by knocking together two resonant wooden dowels, which are themselves called claves. Copyrighted in 1929 by the music publisher e. b. Marks, who profited immensely from its worldwide success. Pa(cid:449)(cid:374)ed doze(cid:374)s of i(cid:373)itatio(cid:374)s a(cid:374)d ki(cid:272)ked off a (cid:862)pea(cid:374)ut ve(cid:374)dor(cid:863) (cid:272)raze a(cid:272)ross the u. s.