Exams are coming!
Get ready with premium notes and study guides!

Class Notes for MUS 142 at Central Michigan University (CMU)

  • 22 Results
  • About CMU
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 6: Strophic Form, Electrical Contacts, Ostinato

OC11631232 Page
13 Sep 2016
1
Slide 1: musical form: form refers to the way the elements of a composition are combined to make it understandable, balance between unity and variety,
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 22: Italy National Football Team, Recitative

OC11631232 Page
13 Sep 2016
0
Topic: chapter 44: multi-media hits: verdi and italian opera. Chapter 44: multi-media hits: verdi and italian opera. Slide 1: multi-media hits: verdi a
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 17: Easy Listening, Industrial Revolution

OC11631233 Page
13 Sep 2016
6
Topic: prelude 4 the classical period/music as order and logic. Chapter 28: conversations: haydn and classical chamber music. Prelude 4: the classical
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 24: Bartolomeo Cristofori, Sustain Pedal, Mazurka

OC11631233 Page
13 Sep 2016
1
Topic: chapter 38: dancing at the keyboard: chopin and romantic piano music. Lg 28 chopin: mazurka in b-flat minor, op. Lg 30 hensel: september: at the
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 8: Mezzo-Soprano, Neume, Strophic Form

OC11631233 Page
13 Sep 2016
4
Slide 1: music and words: non-lexical syllables: do not communicate meaning. >scat-singing, vocalise: secular (latin) vs. secular (vernacular, stanzas
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 18: Age 13

OC11631232 Page
13 Sep 2016
0
Topic: chapter 30: expanding the conversation: mozart, chamber music, and larger forms. Lg 20 mozart: eine kleine nachtmusik, mvmt i. Chapter 30: expan
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 22: Ritornello, Hymn Tune, Collegium Musicum

OC11631233 Page
13 Sep 2016
0
Slide 1: music as exploration and drama: composers in 1600s and early 17002 sought to develop approached to enhance emotional states aroused by music,
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 23: Hector Berlioz, Symphonie Fantastique, Adolphe Sax

OC11631232 Page
13 Sep 2016
0
Topic: chapter 41: personal soundtracks: berlioz and the program symphony. Lg 32 berlioz: symphonie fantastique, mvmt iv march to the scaffold. Chapter
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 20: Rondo, Ternary Form, Minuet

OC11631232 Page
13 Sep 2016
0
Topic: chapter 33: disrupting the conversation: beethoven and the symphony in transition. Slide 1: early symphony history: began as italian opera overt
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 25: Nsa Suite A Cryptography, Ternary Form, Gavotte

OC11631231 Page
13 Sep 2016
9
Topic: chapter 25: grace and grandeur: the baroque dance suite. Lg 15 handel: water music, suite in d major, alla hornpipe. Chapter 25: grace and grand
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 26: Antonio Vivaldi, Ritornello, Program Music

OC11631232 Page
13 Sep 2016
3
Topic: chapter 26: sounding spring: vivaldi and the baroque concerto. Lg 16 vivaldi: spring, from the four seasons (la primavera) Chapter 26: sounding
View Document
CMUMUS 142LindahlSpring

MUS 142 Lecture Notes - Lecture 2: Firebreak, Duple Coachbuilders

OC11631232 Page
13 Sep 2016
0
Pitch the high or low of a musical sound. Dynamic the loud or soft of a musical sound. Duration the length of a musical sound. Timbre (tone color) the
View Document
View all professors (1+)

Class Notes (1,100,000)
US (480,000)
CMU (800)
MUS (40)
MUS 142 (20)