FIL-2001 Lecture Notes - Lecture 6: Color Grading, Key Light, Eye Level

43 views4 pages

Document Summary

Their job was to make sure all film develops correctly. Nowadays, with color grading and other aesthetics of digital picture. Camera and electric crews involves camera crew, lighting, other machinery that affects looks. The chief more responsibility than anyone else on set. Protector of the image protect the artistic and technical decisions related to the film. Directors translator translate the directors vision of the film into what the crew can do, ideas into actions. Formalism form over content, extreme is avant-garde formalists. Expressionism concerned with showing you their subjective view of reality, mostly. Realism content over form, extreme is documentaries. Classicalism middle ground, combines formalist style with realist emphasis on style. A shot is what the camera sees in any given frame. A shot is deter(cid:373)i(cid:374)ed (cid:271)y the (cid:272)o(cid:448)erage, ho(cid:449) you"ll (cid:272)o(cid:448)er a see(cid:374), dire(cid:272)tor (cid:272)o(cid:373)es up (cid:449)ith that, goes to dp who tells them how he thinks they can get that shot.

Get access

Grade+20% off
$8 USD/m$10 USD/m
Billed $96 USD annually
Grade+
Homework Help
Study Guides
Textbook Solutions
Class Notes
Textbook Notes
Booster Class
40 Verified Answers
Class+
$8 USD/m
Billed $96 USD annually
Class+
Homework Help
Study Guides
Textbook Solutions
Class Notes
Textbook Notes
Booster Class
30 Verified Answers

Related Documents