MUS 206 Lecture Notes - Lecture 14: Mridangam, Kanjira, Tanpura
Document Summary
I(cid:374)te(cid:374)se or(cid:374)a(cid:373)e(cid:374)tatio(cid:374), (cid:271)e(cid:374)ds, slides, a(cid:374)d (cid:862)zigzaggi(cid:374)g through i(cid:374)tervals u(cid:374)fa(cid:373)iliar to wester(cid:374) ears(cid:863: based on ragas. Improvisation: oral tradition, learn from master, metrical units, talas, patterns: timbres and strokes. Layers of sound: melody, drone, percussion, the melodic layer, principal melodic solo vocal/ instrumental (violin, bamboo flute, plucked veena, clarinet) voice also used, dominates the ensemble, veena, not straight. Carnatic ensemble: the sruti layer, drone layer, tambura or sruti-box (small reed organ) or by electrical means, tambura (tanpura, sounds like buzzing, the percussion layer, mridangam, ghatam, kanjira, mridangam demonstration, sounds like noise from a clay pot. Raga: (cid:862)colori(cid:374)g(cid:863, (cid:862)dyei(cid:374)g(cid:863, (cid:862)ti(cid:374)gei(cid:374)g(cid:863, (cid:862)a (cid:272)olle(cid:272)tio(cid:374) of (cid:374)otes, a s(cid:272)ale, i(cid:374)to(cid:374)atio(cid:374), or(cid:374)a(cid:373)e(cid:374)ts, pillar to(cid:374)es(cid:863, (cid:862)a portfolio of (cid:272)hara(cid:272)teristi(cid:272) (cid:373)usi(cid:272)al gestures a(cid:374)d phrases that gives it a disti(cid:374)(cid:272)t and re(cid:272)og(cid:374)iza(cid:271)le ide(cid:374)tity(cid:863, easo(cid:374)s, days, (cid:271)ody, (cid:373)i(cid:374)d , raga (ravi shankar) Melakara: 72 generative scales, used to form raga scales, hundreds of ragas.
