MUS 206 Lecture Notes - Lecture 21: Amauta, Duple Coachbuilders, Andean Music
Document Summary
San juan: repetitive, 8 beat phrase, tell th(cid:396)ee a(cid:374) jua(cid:374)"s apa(cid:396)t (cid:862)ilu(cid:373)a(cid:374) ti(cid:455)u(cid:863) (cid:894)(cid:862)ma(cid:374) f(cid:396)o(cid:373) ilu(cid:373)a(cid:374)(cid:863)(cid:895, egu(cid:374)do (cid:862)galo(cid:863) maigua pillajo, composer guitarist singer, conjunto iluman, village of iluman (imbabura region) Instrumentation: violin, kenas, guitars, drum: co(cid:373)pa(cid:396)e to (cid:862)mu(cid:455)u (cid:373)u(cid:455)a(cid:396)i (cid:449)a(cid:396)(cid:373)igu(cid:863, sounds irish, 8 beat phrase repetition, rhythm of first half similar to second half, no harp guitar, violin, polyphonic, 2 languages. Chota river valley: northern west ecuador, always sing songs in spanish, african ecuadorian, chota (chota river valley african ecadorian, sanjaun, hermanos congo. The andean ensemble phenomenon: globalization of andean music, (cid:862)no t(cid:396)a(cid:271)aja(cid:396) a(cid:395)ui! (cid:863, the congo brothers and, conjunto iluman, other ecadorian, nanda manachi, conjunto indigena peguche, jatari. Otavalo: quichua ensembles: otavalo valley of imbabura, music as an expression of indigenous values and its role in cultural resurgence, similar movement in chile, peru, and bolivia, e(cid:454)po(cid:396)t (cid:272)ultu(cid:396)e glo(cid:271)al ou(cid:374)ds(cid:272)ape.
