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Class Notes for FILM 2000 at Nova Southeastern University (NSU)

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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 7: First National Pictures, Panchromatic Film, Producers Distributing Corporation

OC176925220 Page
20 Jun 2017
0
Despite the short recession of 1921, the era was one of prosperity and intensive business investment. For the first time, major wall street investment
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 3: 30-Degree Rule, Continuity Editing, Long Shot

OC17692525 Page
20 Jun 2017
0
Process by which different images or shots are linked together. Sketches out each shot of a film in similar fashion. Crosscutting alternating between t
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 6: Video Projector, Tracking Shot, Panavision

OC17692527 Page
20 Jun 2017
0
The process of capturing moving images on film or a digital storage devious. The number of times a particular shot is taken. One camera position and ev
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 2: Mise-En-Scène, Speaking Parts, Studio System

OC17692526 Page
20 Jun 2017
0
Elements of the movie scene that are put in position before the filming actually begins and employed in certain ways once it does begin. Industrial pra
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 10: Celluloid Heroes, Microcinema, Celluloid

OC17692526 Page
20 Jun 2017
0
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 4: 30-Degree Rule, Continuity Editing, Long Shot

OC17692525 Page
20 Jun 2017
0
Process by which different images or shots are linked together. Sketches out each shot of a film in similar fashion. Crosscutting alternating between t
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 1: Medium Shot, Normal Lens, Telephoto Lens

OC17692527 Page
20 Jun 2017
0
Set 1 the audiovisual design of a film. The elements of structure include the camera, light and color, production design, performance style, editing, s
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 5: Zoom Lens, Optical Printer, Color Grading

OC17692529 Page
20 Jun 2017
0
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 9: Anamorphic Format, Classical Hollywood Cinema, Experimental Film

OC17692526 Page
20 Jun 2017
0
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NSUFILM 2000SantosSummer

FILM 2000 Lecture Notes - Lecture 8: Cinematic Techniques, Match Cut, Master Shot

OC17692527 Page
20 Jun 2017
0
The process by which the editor combines and coordinates individual shots into a cinematic whole, the basic creative force of cinema. Action cuts from
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