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CCS 101 (3)

Class Notes for CCS 101 at Stony Brook University

Introduction to Cinema & Cultural Studies

CCS 101 Lecture Notes - Lecture 1: Celluloid, A Single Shot, In Camera

CCS 101 Chapter One: Looking at Movies Cinematic Language - composed of a myriad integrated techniques and concepts - Connects us to the story while deliberately concealing the means by which it does so - Not composed of w...

Cinema and Cultural Studies
CCS 101
jing li
CCS 101 Lecture Notes - Lecture 7: Laura Mulvey, Primal Scene, Sexual Objectification
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Visual Pleasure & Narrative Cinema Laura Mulvey the paradox of phallocentrism is that it depends on the image of the castrated woman to give order and meaning to its world the function of a woman in ...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Lecture 1: CCS NOTES

The Truth of Pictures The rebuttal cinema v literature song v literature the fiction of colonial cinema poetry as a rebuttal activism Institutions and discourses of patriarchy the personal essay the talk women had no prope...

Cinema and Cultural Studies
CCS 101
Patrice Nganang
The Catcher in the Rye - Reference Guides

TM permacharts The Catcher in the Rye BackgroundSummary Holden Caulfield, a 16yearold New Yorker, is telling a psychoanalyst in HAPTER ONEHAPTER SEVENHAPTER THIRTEENHAPTER TWENTY CCCC California about several days the prev...

Computer Science
CSC495H1
All Professors
The Great Gatsby - Reference Guides

TM permacharts The Great Gatsby SettingCharacters Story develops through the spring, Also New York City and the valley of ICK CARRAWAYAY GATSBY NJ summer, and fall of 1922ashes, which separates Long Island Plot character D...

Computer Science
CSC495H1
All Professors
The Merchant of Venice - Reference Guides

TM permacharts The Merchant of Venice StructureThemes AIN PLOTONEYRIENDSHIPPPEARANCE VS. INNER WORTH MMFA Act IIntroduction Presentation of setting, main Antonio is the most clear symbol of friendship Basis for central plo...

Computer Science
CSC495H1
All Professors

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