MUS 1030 Lecture Notes - Lecture 2: Italian Unification, Symphonie Fantastique, Song Cycle

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16 Nov 2016
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Phrasing: varied, less tyranny of the bar line. Realism fixed (all important) melody in upper voices tonal even, downbeat pp to ff tonal i-v emphasis, more limited keys standard. What is romanticism: rejection of formality and objectivity of 18th century and replaced with subjectivity and use of personal expressionism of the 19th century. 4 trends of romantic music: a fascination with extreme emotional states inclusion of nationalism, glorification of nature, a fascination of the macabre and the supernatural. Art o(cid:374)g: (cid:862)lieder(cid:863: solo voice and piano, o(cid:374)gs grouped together, (cid:862)so(cid:374)g (cid:272)(cid:455)(cid:272)le(cid:863, three forms: strophic, through composed (melodically, every section is different), modified strophic (a a b a, franz schubert (1787-1828) Much of compositional output was for close friends and students: personal life as undergone some scrutiny from historians. 5 characters portrayed: horse, narrator, father, son, and elf king. Married clara wieck in 1840, daughter of his teacher friend of johannes brahms. Piano literature: transformation of the piano.

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