MUS-0001 Lecture Notes - Lecture 15: Heiligenstadt Testament, Melodic Pattern, French Revolution
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Romantic style: highly individual style after ca. 1800: started going deaf around 1800, was completely deaf by 1816. Inspired by ideals of french revolution (1789 (cid:1005)(cid:1011)(cid:1013)(cid:1013)(cid:895) (cid:894)(cid:862)li(cid:271)e(cid:396)t(cid:455), e(cid:395)ualit(cid:455), f(cid:396)ate(cid:396)(cid:374)it(cid:455)(cid:863)(cid:895) Beetho(cid:448)e(cid:374)"s heroic period/style: from around 1800 to 1818, music has sense of heroic individualism, overcoming prescribed order (or perhaps. Beetho(cid:448)e(cid:374)"s o(cid:449)(cid:374) deaf(cid:374)ess? (cid:895) (cid:862)he(cid:396)oi(cid:272)(cid:863) (cid:272)o(cid:373)es f(cid:396)o(cid:373) beetho(cid:448)e(cid:374)"s (cid:1007)(cid:396)d s(cid:455)(cid:373)pho(cid:374)(cid:455) (cid:894)(cid:1005)(cid:1012)(cid:1004)(cid:1008)(cid:895), (cid:449)hi(cid:272)h he titled the (cid:862)he(cid:396)oi(cid:272) (cid:455)(cid:373)pho(cid:374)(cid:455)(cid:863) (cid:894)o(cid:396)igi(cid:374)all(cid:455) dedi(cid:272)ated to french revolution leader napoleon bonaparte) Long/complicated works seem to grow organically out of simple motives lacking in mozart/haydn) Beetho(cid:448)e(cid:374)"s he(cid:396)oi(cid:272) pe(cid:396)iod: one of his most famous compositions, first performed in long public concert in vienna. Illust(cid:396)ates (cid:1007) (cid:272)o(cid:373)(cid:373)o(cid:374) featu(cid:396)es of beetho(cid:448)e(cid:374)"s he(cid:396)oi(cid:272) st(cid:455)le: Rhyth(cid:373)ic dri(cid:448)e i(cid:374) beetho(cid:448)e(cid:374)"s heroic style: many short notes in quick succession, many heavily accented notes, music feels percussive, less elegant than mozart/haydn. Beetho(cid:448)e(cid:374)"s 5th sy(cid:373)pho(cid:374)y, (cid:1005)st (cid:373)o(cid:448)e(cid:373)e(cid:374)t: questio(cid:374)s for liste(cid:374)i(cid:374)g: group 1: think about motivic consistency. Are there places where we do not hear the.
