ARH 156 Lecture 5: 2:2 Notes
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No(cid:272)hli(cid:374), (cid:862)why have there (cid:271)ee(cid:374) (cid:374)o great wo(cid:373)a(cid:374) artists(cid:863) We tend to accept whateve(cid:396) is (cid:862)(cid:374)atu(cid:396)al(cid:863) A feminist critique of art history is needed: the reasons run from scientific (womb vs. penis), to open-minded reasons. It may be asserted that woman artists are more inward-looking. Some feminists say that there is a recognizable feminine style to art. Some will say that female art is more soft and delicate, but that is not always true. Ma(cid:374)(cid:455) thi(cid:374)k a(cid:396)t is a(cid:271)out pe(cid:396)so(cid:374)al e(cid:454)p(cid:396)essio(cid:374) of i(cid:374)di(cid:448)idual e(cid:373)otio(cid:374)al e(cid:454)pe(cid:396)ie(cid:374)(cid:272)e, (cid:271)ut it"s more about consistent language and form. There are no woman equivalents of micaelangelo or picasso. The p(cid:396)o(cid:271)le(cid:373) is(cid:374)"t ge(cid:374)eti(cid:272) o(cid:396) ph(cid:455)si(cid:272)al, it is i(cid:374) edu(cid:272)atio(cid:374) In some areas, woman have achieved equality: e(cid:454), the(cid:396)e a(cid:396)e(cid:374)"t g(cid:396)eat (cid:272)o(cid:373)pose(cid:396)s, (cid:271)ut the(cid:396)e a(cid:396)e g(cid:396)eat si(cid:374)ge(cid:396)s. Digging deeper, artists normally do not come from the upper class: most are poor/not rich.
