MUH 2017 Lecture Notes - Lecture 13: Character Piece, Song Cycle, Atonality

• School: UCF
• Department: Music: History/Musicology
• Course: MUH 2017
• Professor: Maria Harrington

Document Summary

Notable composers: claude debussy, 1862-1918 (cid:271). (cid:272)o(cid:373)posed (cid:862)voiles(cid:863) i(cid:374) (cid:1005)(cid:1013)(cid:1005)(cid:1004), a character piece for the piano, key concepts of the piece: timbre of the piano, whole tone scale, pentatonic scale, highlight of chapter: impressionism. Defined as music features many of the hallmarks of musical modernism. Debussy applies this concept to his work by emphasizing the timbre over melody, with unstable themes: charles ives, 1874-1954 (cid:271). (cid:272)o(cid:373)posed (cid:862)the u(cid:374)a(cid:374)s(cid:449)ered questio(cid:374)(cid:863) i(cid:374) (cid:1005)(cid:1013)(cid:1004)(cid:1012). A programmatic work for chamber music: key concepts of his work: consonance, dissonance, layered texture, chapter highlight: to(cid:374)ality (cid:448)s. ato(cid:374)ality. I(cid:448)e s (cid:449)ork for stri(cid:374)g/(cid:449)i(cid:374)d orchestra, pits the tonal and rhythmically regular strings against the atonal and rhythmically irregular wind quartet: arnold schoenberg, 1874-1951 (cid:271). (cid:272)o(cid:373)posed (cid:862)colu(cid:373)(cid:271)i(cid:374)e(cid:863) fro(cid:373) pierrot lu(cid:374)aire. A song cycle for voice and chamber ensemble: key concepts of chapter: atonality, spchstimme, expressionisim gave priority to truth over beauty, including the sometimes less than beautiful workings of the human psyche.