MUL 2010 Lecture Notes - Lecture 5: Chromaticism, Fidelio, Franz Liszt

• School: UCF
• Department: Music: Music Literature
• Course: MUL 2010
• Professor: Angela Moretti

Document Summary

String quartet: composers stayed away from the intense emotions of religious music and the dramatic contrasts of the baroque, the e(cid:373)otio(cid:374)al (cid:272)o(cid:374)te(cid:374)t (cid:449)as (cid:373)ore restrai(cid:374)ed tha(cid:374) ba(cid:272)h a(cid:374)d ha(cid:374)del"s music, a clearly organized form was very important. Form, balance and control were stressed (symmetry, order: melodies (cid:449)ere (cid:862)tu(cid:374)eful(cid:863) a(cid:374)d si(cid:373)ple. Pla(cid:455)ed (cid:373)ostl(cid:455) (cid:271)(cid:455) the stri(cid:374)g fa(cid:373)il(cid:455), then woodwinds. Based on the idea of successive contrasting melodies: homophonic texture was common. This was a reaction to instrumental polyphony of the baroque period: range of dynamics increased; there were long crescendos and decrescendos to add drama. Died poor: his last piece he was composing: requiem (a funeral mass) xi. His music: genres: opera and concerto and many more, an eclectic composer, his (cid:373)usi(cid:272) (cid:862)breathes(cid:863). It has a(cid:374) (cid:862)e(cid:271)(cid:271) + flo(cid:449)(cid:863) to it xii. He was influenced by haydn; he studied with him for a while and later.