GERM 1171 Lecture Notes - Lecture 3: Color Theory, Establishing Shot, Birds Eye

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School
Department
Course
9-13-17 German Film week 3
Photography
Shot: determined by the amount of subject, smallest unit, film is based on
Types of shots:
Extreme long/ establishing
Long
Medium
Full
Short
Extreme short
Angles
How do you determine the camera angle?
Where the camera is placed
Which angles
Bird’s eye
Oblique
low/high
Eye level
Wide
What do these angles mean?
High: weakness, innocent, inferior
Eye level: equal
Low angle: powerful
Oblique: disoriented, imbalanced
Color
Invented in 40’s-50’s
Light colors: innocent, joy, purity, comedy, happy, hope
Dark colors: evil, darkness, grim, fear, unhappy
High key: Comedy
High contrast: tragedy
Low key: thrillers, mystery
Cool colors: blue, green and purple represents tranquility, serenity
Warm colors: red, orange, yellow represents anger, fear, passion
Backlighting: angelic, heavenly, spiritual
Editing
Picks and chooses which shot to use
Convey message
Confines message
Condenses length
Preserves fluidity
Eliminates unnecessary time
Selecting from many hours of footage
Compressing years of plot time
Cutting to continuity
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Document Summary

Photography: shot: determined by the amount of subject, smallest unit, film is based on, types of shots, extreme long/ establishing, long, medium, full, short, extreme short. Classic cutting: d. w. griffith, follow principle of association of ideas implicit in the connected shots, creating psychological connections, editing for dramatic intensity and emotional emphasis, allows director to control audience"s perception/ emotional reaction. Iris-in, iris-out: cut, jump cut, fade-in, fade-out. Hitler"s influence still very limited in 1920"s: populist platform: anti-semitism, racist, nationalist, anti-socialist, anti-communist, anti-democracy. Integrated sa into nazi party: 1934: hindenburg died hitler takes chancellor and president calls himself fuhrer and chancellor, 1934: requires armed forces oath of allegiance to him (personally, 1934: nsdap party rally in nuremberg. Role of film in nazi germany: propaganda, distract population, glorify nazi, nationalist support. Measures of nazi film policy: nationalization of film industry, reported directly to nazi, censorship, awards to promote nazi.

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