WGSS 1104 Lecture Notes - Lecture 5: Adrian Piper
6 May 2017
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Document Summary
This reflection paper is on the article, f-a- t: adrian piper;the triple. Negation of colored women artists; 1990 in f-a-t, pp 57-68 [page 444 in second edition, 2015] . This article talks about the art historical disquisition for colored. Female artists, in which is still largely influenced and used by biography. Triple negation of colored women artists, she exaggerates on how the focus of the person instead of the art work can be extremely destructive and adverse, especially for colored women artists (cwas). She also snaps on how the tyrannical predominance stereotypically controls the creative expression of colored women in. She explains and shows us three reasons why the method of using biology can be very troublesome. She states how focusing on the biography of a cwa turns the artist into a cryptic, exotic object that provides the occasion for.
