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Class Notes for THEA 110 at University of North Dakota (UND)

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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 15: Gas Lighting, Bennington College, Rudolf Von Laban

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3 Dec 2016
3
In the late 19th and early 20th c. several american and european dancers began to rebel against the strict structure of ballet. Focused on creative sel
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 18: De Architectura, Pulpitum, Vomitorium

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3 Dec 2016
1
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture 16: The Ancients

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3 Dec 2016
2
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 12: Light Plot, Technical Rehearsal, Master Electrician

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19 Nov 2016
2
Fundamentally, the job of all designers is to communicte! Designers and directors must discuss shows needs. Also about the concept for the show. Design
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 11: Sweeney Todd, Stage Management, Harold Prince

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19 Nov 2016
1
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 3: Proscenium, Thrust Stage, Actin

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7 Nov 2016
3
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 1: Lysistrata

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7 Nov 2016
1
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 7: The Open Theater, Joseph Chaikin, Profanity

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7 Nov 2016
6
It"s difficult to evaluate what is happening now like we can the past. Think of how we group centuries and eras together throughout history. Today we s
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 17: Choregos, Peisistratos, Mesoamerican Chronology

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3 Dec 2016
0
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 10: Harold Clurman, Clifford Odets, Al Pacino

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19 Nov 2016
7
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 5: Fourth Wall, Proscenium, Moscow Art Theatre

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7 Nov 2016
2
Instead of actors portraying characters the actors are the characters. Sets and costumes were real to the time period. Instead of dialogue representing
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UNDTHEA 110Brad ReissigFall

THEA 110 Lecture Notes - Lecture 8: General Idea

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7 Nov 2016
2
When we read the text of a play it"s just words on the page. Goes to our intellect (it"s up to the reader to create world) When we see a play in perfor
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