Find Class Notes for COM-261 at UT

COM-261 Lecture Notes - Lecture 3: Film Format, Dogme 95, Thomas Vinterberg

COM-261 Lecture Notes - Lecture 10: Chaebol, Tiger Economy

COM-261 Lecture Notes - Lecture 9: Akira Kurosawa

COM-261 Lecture Notes - Lecture 8: Spirited Away

COM-261 Lecture Notes - Lecture 4: Czechoslovak New Wave, Italian Neorealism, Surreal Humour

COM-261 Lecture Notes - Lecture 6: Cinema Of The Middle East

COM-261 Lecture Notes - Lecture 5: Cinema Of Africa, Tsotsi

COM-261 Lecture Notes - Lecture 2: Sunlight

COM-261 Lecture Notes - Lecture 1: Samurai Cinema

COM-261 Lecture Notes - Lecture 12: Jean-Luc Godard, Vittorio De Sica, Akira Kurosawa

COM-261 Lecture Notes - Lecture 8: Satyajit Ray, Mrinal Sen, French New Wave

COM-261 Lecture Notes - Lecture 9: Shaw Brothers Studio, Beijing Film Academy, Zhang Yimou

COM-261 Lecture Notes - Lecture 10: Guillermo Del Toro, Niki Caro, French New Wave

COM-261 Lecture Notes - Lecture 11: Ousmane Sembène, Cinema Of Africa, Tongues Untied

COM-261 Lecture Notes - Lecture 7: Akira Kurosawa, Ring (Film), Militarism

COM-261 Lecture Notes - Lecture 1: Sergei Eisenstein, Diegesis, Andrei Tarkovsky

COM-261 Lecture Notes - Lecture 4: Antonio Gramsci, Italian Empire, Citizen Kane

COM-261 Lecture Notes - Lecture 6: Jean-Paul Sartre, Lars Von Trier, Ingmar Bergman