FILM 1401 Lecture Notes - Spring Breakers, Soft Key, Committee For Accuracy In Middle East Reporting In America

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Ideology, in other words, can be seen as a culture"s unconscious. Here, a statement made by the critics jean-luc comolli and jean narhoni over forty years ago may still have considerable relevance: they argued that the majority of films are the. Unconscious instruments of the ideology which produces them . Of course, all such films, potenikin included, are themselves culturally and historically determined texts that can, through careful analysis, reveal hidden or contradictory meanings and contexts beyond those that their filmmakers intended. A number of theorists have argued that the entire realm of culture can be seen as a text or set of texts to be read and interpreted. From this perspective, a film or similar text may be seen as a particular instance within a much larger cultural and historical text, which for simplicity"s sake we can call context. Context may be taken to include anything that has an influence or bearing on a particular film.

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