THEA-UT 510 Lecture Notes - Zeami Motokiyo, Noh, Shamisen

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Noh roots in religious ritual, subjects from myth and legend. Two actors, chief actor is masked, chorus of singers. Rhythmic sounds form drums, flute, stamping on floor, stylized movements. 5 types of dramas = gods, warriors, women, deranged/spirits/living, loss of child therefore madnessa. Kan"ami innovator of the form of noh. Combined earlier forms of theater with buddhist ideals. Zeami perfected noh form, wrote more than 100 noh plays, developed theory on noh drama. Buddhist beliefs, union with all beings, earthly desires/needs = unimportant. Yugen gentle gracefulness, fragility, beauty lies in suggestions, simplicity, subtlety, restraint hashigakari bridge to stage. Kata not fixed movements, abstract, convey emotions of poetry kabuki singing, dancing, acting, Has more actors than noh, unmasked unlike noh. Hanamichi flower way, raised runway, connects actors to audience onagata men who portray females. Bunraku theatre- puppet theatre, 3 operator, some hooded and cloaked. Stories about duty, family, honor, emphasis on suicides and double suicides.

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