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[JAPA 101] - Final Exam Guide - Everything you need to know! (47 pages long)
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Small and are used to transcribe contracted sounds and represent a single syllable. In the first and second sentences, smith and robert are in differen
View DocumentJAPA 101 Lecture 15: Japanese Word Order and Frequency Verbs
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(cid:2123) 2 (cid:2124) (cid:2140)(cid:2123)(cid:2171) (cid:2183)(cid:2139) (cid:2183)(cid:2120)(cid:2182) (cid:2183) (cid:2171) (cid:2123) (cid:2125)(
View DocumentJAPA 101 Lecture Notes - Lecture 17: Japanese Particles
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Nouns used in sentences generally must be followed by particles which indicate the relations that the nouns bear to the verbs. (cid:2069)(cid:2182)(cid
View DocumentTCOM 307 Lecture Notes - Lecture 12: Dramatic Structure, Fourth Wall, Frame Story
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Characters do not necessarily have to be people. The ability to undertake actions and make choices with narrative consequences. Protagonist: the hero a
View DocumentTCOM 301 Lecture Notes - Lecture 2: Culture Jamming, Socratic Method
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We find pleasure and power by becoming critical lenders. Television"s new feminism: prime-time representations of women and victimization : law and. Or
View DocumentENG 425 Lecture Notes - Lecture 9: Citizen Kane
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Major dramatic question: the primary question of the film, asked early in the film and answered at the end of the film. It helps to generate meaning or
View DocumentJAPA 101 Chapter Notes - Chapter 1: Telephone Number
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Adding the word nan (what) to a sentence or word creates a question. Examples include nannensee (what year in school), nanji (what time), or nansai (ho
View DocumentTCOM 204 Lecture Notes - Lecture 17: The L Word, Brown Bear, Soft Butch
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Transgender representation: a woman who loves or is sexually attracted to other women. May or may not be a man hater. (1940s portrayed as hating men de
View DocumentENG 425 Lecture Notes - Lecture 1: Monsieur Hulot, Garage Door Opener
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Jacques tati"s mon oncle explores the life of the materialistic arpel couple and their child who is unimpressed with the predictable, dull lifestyle. M
View DocumentTCOM 301 Lecture Notes - Lecture 1: Antonio Gramsci, Raymond Williams, Marxism
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Cultural studies: rather than just look at high art (classical film, high fashion, etc. ), look at ordinary people in addition to high art. Until the l
View DocumentTCOM 301 Lecture Notes - Lecture 1: Individualism, Big Business, Edward Bernays
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Adam curtis: the century of self part 1. Freud"s theories utilized by those in power to control crowds. Vienna threatened by freude"s idea that humans
View DocumentENG 425 Lecture Notes - Lecture 6: Buster Keaton, Escalator, Sergei Eisenstein
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Created during a time (early 20"s) when artists can have more control. Scene is silent, features a family at a dinner table. The father figure becomes
View DocumentTCOM 301 Chapter Notes - Chapter 20: Reproductive Rights, Lauryn Hill, Hypermasculinity
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Chapter 20: more than baby mamas: black mothers and hiphop feminism by marlo david azikwe. Hip-hop (and rap) culture has widely been regarded as misogy
View DocumentTCOM 307 Chapter Notes - Chapter 8: Joel Surnow, Kiefer Sutherland, Equites
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Summary of chapter 8: tell me where the bomb is 24 goes to war on terror, boredom . Action heroes are a form of escapism and representative of the issu
View DocumentTCOM 301 Chapter Notes - Chapter 19: Dysfunctional Family, Elliot Stabler, Mariska Hargitay
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Summary of television"s new" feminism: prime-time representations of women and victimization by. The rise of crime shows on television (shows such as l
View DocumentENG 425 Lecture Notes - Lecture 2: Cinematic Techniques, Diegesis, Angling
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Where the camera is placed, the angle, point of view, when/how it moves, all influence how the audience perceives characters and action. May also influ
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