MUSIC101 Lecture Notes - Hector Berlioz, Symphonie Fantastique, Fugue

Romantic, unify works, literary connection, arouse deep emotions. Character pieces, concert overtures, program symphonies, symphonic poems. Program mus

19c Opera.docx

To the frustration of other composers, especially in germany. 19c opera: act 1 (the scene: italy)- oct. 29. Music from g. rossini"s opera the barber of

Classical vs. Baroque.docx

Romantic style using piano examples - oct. 26. Individual feeling, striving for a better, higher, ideal state of being. Chopin unclear melody, harmony 

MUSIC101 Lecture Notes - Concerto Grosso, Figured Bass, Opera Buffa

Slow, duple compound time gentle, flowing. Gives a governing rhythmic and expressive character. We"ve focused on form and style, but baroque and classi

The Shape of a Symphony2.docx

MUSIC101 Lecture Notes - Passacaglia, Ostinato, Ritornello

Often leads to gradually quicker motion, a contrast in minor, and a return to major. Forms at play: theme and variations; rondo - oct. 10. A sense of f

MUSIC101 Lecture Notes - Ternary Form

Sonata form the heart of the classical style oct. 5. Classical form makes more sense the more you have a feel for the forms and the expectations they e

Form, Genre, Style.docx

Form the shape of a piece of music; a way to talk about organization, the relationship of parts to a whole. Shape is determined by repetition, contrast

MUSIC101 Lecture Notes - Monophony, Homophony, Counterpoint

Like all textures, can be used consistently, or to create contrast. All moving in same rhythm or single melody with chordal or patterned accompaniment.

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