MUSI 1F50 Study Guide - Figured Bass, Sonata Da Chiesa, Sinfonia
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The evolution of symphonies qwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopa sdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcv bnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjk lzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopas dfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmrt yuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnm qwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghj. Symphony form and how it evolves through the classical period. Symphony originated from sinfonia, and was played with opera overature, later it was played by itself. Early 1740"s: symphony for strings in d major by sammartini. Influenced by vivaldi, his style evolved from baroque to classical. Very short compared to mozart"s or haydn"s. Instrumentation: violins 1 and 2, violin and a basso continuo:2 instruments, to play the sustain note, usually a cello and a harpsichord. 2nd movement (largo): a) is in relative minor key: b: lyrical, violin ii with basso continuo, have thinner texture e) 3rd movement ( presto): rounded binary form: aba. 1st mvmt in parallel binary : second half corresponds to first half except in key signature. Melodies divided between 2 violin parts, viola and cello has the harmony. Baroque style in lower parts, there is a continuous repetition of notes.