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History of Art Exam Notes .docx

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Department
Fashion
Course
FSN 132
Professor
Julia Scalzo
Semester
Fall

Description
HistoryofArtLecture1Peruginos imbalance of verticallinesfollowers and dominanthorizontalbackground on either linesElementsTobeabletosidedirection of faces understandartdo not draw attention to ArtofPrehistoryin Line1ContextChrist and St Peter EuropeandtheMiddle ShapeaNarrativefigures in background East ValuebSymbolismmore distractingupperPalaeolithic TexturecMaterialsPerugingChrist5000010000BC ColourdTechniquesgivingthekeystoSt middleMesolithiceCompositionPeterVatican141880006000BCStylisticTerminologyfStyle lowerNeolithicadamspg22TheBuliMaster60004000BC2MessagepossiblyNgongoyalithicstone toolsNaturalisticaHowallofChintuPrestigethese time periods were IdealizedcontextstellastoryStoolDemocraticbroken down because StylizedinaparticularwayRepublicofCongothe evolving culturesAbstracttakeoutLubaCulturecaPalaeolithic people did things3Contexts18501900not settle they were RomanticizedaWhodidit Wood Metal studs travellersbWhowasitforWomen cared for Mesolithic people RealisticIllusionisticcWhatwasitmadechildren they would started settling period rarefromsit on their mothers of changesHarmonydWhatdoesitelongated large fingers Neolithic people settledRepetitionrepresentand stubby legs for was a period ofSimilaritieseWhenwasitdonefunctionalityagriculture SimplicityfWherewasitplaced SittingstoolVenusofWillandorfgHowwasitmadeVarietyReferencetomothers2500021000BCContrast strength11 RepresentingDesignDynamicso EnlargedhandsfocalComplexity pregnancypointstrengthtohold SomenonscientificweightFranciscoGoyaculturesdontassociate UnnaturalisticRaphaelMarriageofChronosdevouringintercourseandtheVirginChapelofcaoneofhischildren ExaggeratedfeetpregnancyJosephItaly1504182017461828tubularlegsandarms Witwomanshands2018 Weddingceremony Triangularshapesrestonbreasts RoughlinesbetweenMaryandparallelandbalancedpalaeolithic moveableJoseph Harshshadingwithlimbssmall Floweringstick SharpboldcontrastfatnesseatingwellsymbolizesprosperityAthenaHeraklesandbetweenbackgroundwealthmatchbetweenpeopleAtlasTheGoldenandfigurefeatures associated with Applesofthe Balanceemanateschildbearing are largeHesperidesGreekpeace Why did Raphael take EarlyClassicalcainspiration fromCentralvisualpointLascauxHallofthe480475BCwoman Perugino artistic RunningBullsca Gesturedrawseyetois shown doing very competition1500013000BCeventlittle work540Raphaels colours more 112 Buildingbalancestop Athenainrelaxedposevibrant changed contextSpeculatoryhalfofskysimplified background o Holdinguphelpingassociationwithmagic Paintingframedfromshapes less distinctHerakleso Symbolizes Sacrificialcentralvanishingpointless distractingstrengthcave paintings found inLightincentraltransformed building to GehrySpainmany culturesdoorwaysymbolizeshave symbolic GothictoRenaissancevery complicated not presenceofChristsignificancepointedarchrounddecorationsarchdominantmany underground said to be haoxes tooFull view of antlers Dreamtime Imageswhere people did not naturalistic people back always illustrates full andrecognizableobjectslivewhythen were too primitive view of most important havestoriesto be able to create wallswere used in feature even though it o Representationso natural state painted anything intelligent may not be Illustrationswith all natural what you think should proportionateRelatestowhatwillmaterials be thereconceptual21213happenhas naturalistic elements as you see itopticalAkkadianRulerbut shows two horns most cave paintings are Sargonrepresentation of myth because thats how you profiles so realistically 216aor story the lightning should see ityou should only see oneDetailsinbeardman is the scorpion LascauxChinesehorn one arm one leg geometricallystylizedlooking thingxray etc but artist shows Horse150001300bronze many details style BC113two horns two arms finer quality assumed to two legs Shortleggedbe a ruler because of Adams p22details above Senseofmovementif you can recognize it Chavet CaveNaturalismthroughrhythmoflinesto some degree30000BCcompetingcontrastwith Naturalmaterialsnaturalisticconcentrated on headspatternthe more it looks likeHuntingscenemore detail more what it is supposed to portrayedrealisticrepresent the more shows animals doing simplified formsmonochromatic realistic it isthings they wouldnt characteristics of horns are closer together stylized is reducing that anthropomorphic Chinese ink paintingsbut still conceptualizedwhich is in nature adding human 3D qualitiesThe artist is putting irregular into a regular characteristics to Adams 114 them closer together in patternanimals In registersconceptual do not like the way that you may 21415overlapping of antlersactually see them Mesopotamiapg39NaturalismSTYLIZED and most important figure is Stonehengeca2800ABSTRACTlargest centre high up 1500BC123AustralianWandjina Firsthistoricculturesstanding on dead justRitualsignificanceorCloudSpiritnokilled hieratic o Wrotedownfinancialneolithic built over a Dreamtimedaterepresentation no recordslong period of time 75000BCpresentcommunication of o Ownershipoflandrequired many people abstract representation depth tells us Mesopotamiancalendar lunar and of Gods and Goddessessomething but is not SculpturesofHumansolsticeshows that creature different from naturalistic Relief Headspeople are living in humanssculpture Projects large groups Eyebrowsaretoothe Cloud Spirit is a outward HierarchalReflectsdifferencelargevery powerful God for proportionscalebetweenhuntingand Beardsarestylizedaboriginals217gatheringandFemaleHeadfromDreamtime is very agricultureUrukmarbleca3500ambiguous an alternateSteele od Hammurabi Correlateswithsolar3000BC27universe c 17921750 BCfirst andlunareclipses HasnoeyespreciousW11law code in the world AboriginalpeopleofmaterialwastakenMenandWomenincl offences and AustraliahadaveryhuntingKangaroos Eyesandeyebrowspunishments code is materialandlimitedDreamtimeW13toolargepresented to a God you culture Menandwomenin Bottomhalfisare able to tell it is from PaintingsincavearedistancenaturalisticMesopotamia weird alldifferent Culturalo Abstractionintoppostures showing half Mustbesureoffactsconceptual Side Notes Stylizedallweknowrepresentation Justice cave paintings were Kangaroowithcode Presentation of holdingsamethingdiscovered in the 1860sLighteningMancode depicted at top Beardsandhairstylized
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