The Color of Sex.docx

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Department
Anthropology
Course
ANT204H1
Professor
Annette Bickford
Semester
Winter

Description
The Color of Sex Midterm Review Winter 2012 Timeline: Post-war Henry Gates  Race is dangerous because it tends to be a type of classification.  Racial and cultural differences become coded ways of talking about other differences that matter/differences in power and interests. Tranquil Racial Spaces  Race is not directly addressed; images portray the “other”.  Degree of blackness: evolutionary scale. Based on the colour of skin, the “blacker” one was, the more laborious his job was.  Euramericans drew conclusions about others based on the degree of “blackness” of their skin.  Before civil rights movement, NG always photographed white people in a superior position to black people.  After the civil rights movement, the white person was removed from the photograph, symbolizing the offensiveness of portraying the black people as labourers and the white people as superiors. (Black people continued to be portrayed as labourers).  Individuals coded as black were more likely to be shown in high levels of activity, strenuous work, or athletics, while white were engaged in low level activity, seated, reclining, manipulating things with their hands (no hard labour). Those coded bronze were doing things in between that (walking, herding animals).  Black and bronze people were portrayed as poor and technically backward. White were likely to be wealthy and less likely to be poor.  White were depicted with machinery and black/bronze people were depicted with simple tools. (Knowledge and technology with white people).  Dark people were photographed in natural surroundings (landscapes, etc) and in large groups.  “These stories tell the Euramerican public that their race prejudice is not so wrong; that at one point people of color were poor, dirty, technologically backward, and superstitious – some still are.” Pp. 25  1970’s were a period of social movements. The Women of the World  Post-WW II  Can women work and be a good mother? Another issue was sexuality.  Sometimes dark-skinned women were portrayed next to white women; striking images of motherhood; were also portrayed as hard-working breadwinners.  Women and children were photographed together, rather than as a family unit. They were the “main bond” of the family.  After women began going into the workforce, NG began to photograph children with cute animals.  Non-white mother photographed in the background; infant would be centre of attention for both reader and mother.  Photographed non-western women nude.  When white men viewed the magazine, they saw the nude women as sexual objects.  NG is a black man’s playboy. (???)  Black women’s dress places them closer to nature.  “Black women have been portrayed in Western art and science as both exuberant and excessi
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