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Study Guides for Centre for Drama, Theatre and Performance Studies at University of Toronto St. George (UTSG)


UTSGDRM100Y1Noam LiorFall

DRM100Y1 Study Guide - Final Guide: Erwin Piscator, Integrated Circuit Layout Design Protection, Heredity

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Skene (or scene) originally just a wall but eventually was painted big doors that lead behind stage. Logeion proskenion (place in front of the wall whe
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UTSGDRM411H1David RobertsWinter

DRM411H1 Study Guide - Lumbar Vertebrae, Plumb Bob, Thoracic Vertebrae

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Hyperextended knees: when looking at a dancer from behind, the gravity line should be: Gravity line should bisect the distance between the heels and. I
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UTSGDRM411H1David RobertsWinter

DRM411H1 Study Guide - Vaganova Academy Of Russian Ballet, Enrico Cecchetti, Carlo Blasis

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Academy of russian ballet (vaganova is a woman) dancing) association of operatic dancing of great britainm received its royal charter in 1936: codified
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UTSGDRM411H1David RobertsWinter

Improvisation- Meisner notes.docx

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***this article is actually a journal of various days of improv classes taught by meisner and his interaction with the students: the article opens with
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UTSGDRM411H1David RobertsWinter

DRM411H1 Study Guide - List Of Flexors Of The Human Body, Adductor Muscles Of The Hip, Lumbar Vertebrae

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Exercises must match each dancer"s current level of strength and skill, use a variety. Start with pure spinal flexion and spinal extension exercises, t
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UTSGDRM100Y1Alan AckermanFall

DRM100 (Up to Test 03)

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Drm100 - behn, the rover (+ marriage of figaro) Restoration hero (?: figure of the machiavel, wicked, evil characters (eg. iago, aware of a standard of
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UTSGDRM100Y1Alan AckermanFall

DRM1001 (Up to test 02)

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UTSGDRM100Y1Alan AckermanFall

DRM100 (Up to Test 01)

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