INI100H1 Study Guide - Final Guide: Fndc5, Staccato, Filmstrip

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Published on 16 Apr 2013
School
UTSG
Department
Innis College Courses
Course
INI100H1
INI115
1. Production One of the three branches of the film industry; the process of creating the
film.
- Preproduction The phase of filmmaking that prepares for production on the
basis of a screenplay, design, and financing.
- Post production The phase of film production that assembles the images and
sounds into the finished item.
2. Filmic Convention
3. Principles of Film Form
4. Function The role or effect of any element within the film‟s form.
5. Similarity and Repetition
6. Difference and Variation
7. Development
8. Unity/Disunity The degree to which a film‟s parts relate systematically to one another
and provide motivation for all the elements included.
9. Narrative A type of filmic organization in which the parts relate to one another through a
series of causally related events taking place in time and space. (A time-line of events
taking place in order to tell a story)
10. Three-act structure
11. Story In a narrative film, all the events that we see and hear, plus all those we infer or
assume to have occurred, arranged in their presumed causal relations, chronological
order, duration, frequency, and spatial locations: opposed to plot, which is the film‟s
actual presentation of events in the story.
12. Plot In a narrative film, all the events that are directly presented to us, including their
causal relations, chronological order, duration, frequency, and special locations: opposed
to story, which is the viewer‟s imaginary construction of all the events in the narrative.
13. Temporal order
- Frequency
- Duration
14. In Medias Res
15. Exposition
16. Closure The degree to which the ending of a narrative film reveals the effects of all the
causal events and resolves (or “closes off”) all lines of action.
17. Shooting on Location The process of filming at an external location outside of the
studio/set.
- Shooting on Set The process of filming at the studio/set, using props,
backdrops, and scenes to create a setting.
18. Hard Lighting Illumination that creates sharp-edged shadows.
- Soft Lighting Illumination that avoids harsh bright and dark areas, creating a
gradual transition from highlights to shadows.
19. Directional lighting
20. Key Light In the three-point lighting system, the brightest illumination coming into the
scene.
- Fill Light Illumination from a source less bright than the key light, used to soften
deep shadows in a scene.
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21. Three-point lighting A common arrangement using three directions of light on scene:
from behind the subjects (backlighting), from one bright source (key light), and from a
less bright source balancing the key light (fill light).
- High-key lighting Illumination that creates comparatively little contrast between
the light and dark areas of the shot. Shadows are fairly transparent and
brightened by fill light.
- Low-key Illumination that creates strong contrast between light and dark areas
of the shot, with deep shadows and little fill light.
22. Stylization and Individualization (in acting)
23. Symmetrical Composition
- Balanced Composition
- Unbalanced Composition
24. Shallow-Space Composition Staging the action in relatively few planes of depth.
- Deep-Space Composition An arrangement of mise-en-scene elements so that
there is a considerable distance between the place closest to the camera and the
one farthest away. Any or all of these planes may be in focus.
25. Frontality In staging, the positioning of figures so that they face the viewer.
26. Shot
- 1) In shooting, one uninterrupted run of the camera to expose a series of frames;
also called a take.
- 2) In the finished film, one uninterrupted image, whether or not there is mobile
framing.
27. Scene A segment in a narrative film that takes place in one time and space or that uses
crosscutting to show two or more simultaneous actions.
28. Sequence Term commonly used for a moderately large segment of film, involving one
complete stretch of action; in a narrative film, often equivalent to a scene.
29. High-Contrast Cinematography
- Low-Contrast Cinematography
30. Chiaroscuro
31. Saturated Colour Includes a full range of colours and shades.
- Desaturated Colour Includes only shades of white, black, and any grey in
between.
32. Exposure The adjustment of the camera mechanism in order to control how much light
strikes each frame of film passing through the aperture.
- Underexposed When a scene appears darker than what is actually being seen.
- Overexposed When a scene appears brighter than what is actually being seen.
33. Fast-Motion When a shot is being played through using real-time speed, or a faster
speed.
- Slow-Motion When a shot is being played through using slower than actual
speed.
34. Lens A shaped piece of transparent material (usually glass) with either or both sides
curved to gather and focus light rays. Most camera and projector lenses place a series of
lenses within a metal tube to form a compound lens.
- Wide-Angle A lens of short focal length that affects a scene‟s perspective by
distorting straight lines near the edges of the frame and by exaggerating the
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Document Summary

Ini115: production one of the three branches of the film industry; the process of creating the film. Preproduction the phase of filmmaking that prepares for production on the basis of a screenplay, design, and financing. Shooting on set the process of filming at the studio/set, using props, backdrops, and scenes to create a setting: hard lighting illumination that creates sharp-edged shadows. Soft lighting illumination that avoids harsh bright and dark areas, creating a gradual transition from highlights to shadows: directional lighting , key light in the three-point lighting system, the brightest illumination coming into the scene. High-key lighting illumination that creates comparatively little contrast between the light and dark areas of the shot. Shadows are fairly transparent and brightened by fill light. Low-key illumination that creates strong contrast between light and dark areas of the shot, with deep shadows and little fill light: stylization and individualization (in acting) , symmetrical composition .

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