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Textbook Notes for FILM 1F94 at Brock University (BROCKU)

BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter Notes - Chapter 2: Jump Cut, Shot Reverse Shot, Master Shot

OC4672502 Page
26 Feb 2016
15
Cutting to continuity: a type of editing in which the shots are arranged to preserve the fluidity of the action without showing all of it. Establishing
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BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter Notes - Chapter 8: Pixilation, Crane Shot, Jerky

OC4672502 Page
27 Feb 2016
23
Frame: the dividing line between the edges of the screen image and the enclosing darkness of the theater. Extreme-long- shot: a panoramic view of an ex
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BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter Notes - Chapter 5: Aleatoricism, Camera Operator, Proxemics

OC4672502 Page
27 Feb 2016
14
Mise-en-scene: the artist or technician ho creates the mise en scene that is, the director. Aspect ratio: the ratio between the horizontal and vertical
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BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter 3: Story

OC4672501 Page
26 Feb 2016
18
Story: all the events that we see, hear about, or infer in a iction ilm in the order which they are supposed to have happened. Plot: the arrangement of
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BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter Notes - Chapter 7: Available Light, Multiple Exposure, Optical Printer

OC4672502 Page
26 Feb 2016
17
Low-key: a style of lighting that emphasizes diffused shadows and atmospheric pools of light. Telephoto lens: a lens that acts as a telescope, magnifyi
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BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter Notes - Chapter 4: Rough Cut, Filmstrip, Diegesis

OC4672502 Page
26 Feb 2016
21
Non-synchronous: sound that is not recorded simultaneously with the image, or sound that is detached from its sound in the film image. Diegetic: the fu
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BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter Notes - Chapter 1: Semiotics, Long Shot, Cahiers Du Cinéma

OC4672504 Page
26 Feb 2016
19
Realism: a range of styles of filmmaking that attempt to represent that attempt to represent reality as it is commonly perceived, with emphasis on auth
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BROCK UFILM 1F94Scott HendersonFall

FILM 1F94 Chapter Notes - Chapter 9: Vertical Integration, Intertextuality, Reception Theory

OC4672502 Page
27 Feb 2016
24
Structuralism: a philosophical approach that finds meaning in the relations between elements in a text rather than in the elements themselves. Semiolog
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