CRI 200 Chapter 4: Readings: Week 5 - Murray & Trowsow Ch. 4

• School: Ryerson University
• Department: Creative Industries
• Course: CRI 200
• Professor: Jeremy Shtern

Document Summary

Owners have a bunch of distinct rights when it comes to copyright. Reproducing can only be up to the owner, no one else can reproduce the creator"s work without consent. Sec 3(1): sole right to reproduce goes to the creator. Printing, photocopying, scanning making a digital copy all goes against that right. It is important to question whether the number of the works have increased. Determining substantial, relevant factors: quality and quantity of stolen material, e(cid:454)te(cid:374)t to (cid:449)hi(cid:272)h the respo(cid:374)de(cid:374)t(cid:859)s use ad(cid:448)ersel(cid:455) affe(cid:272)ts the appli(cid:272)a(cid:374)t(cid:859)s a(cid:272)ti(cid:448)ities a(cid:374)d di(cid:373)i(cid:374)ishes the (cid:448)alue of the appli(cid:272)a(cid:374)t(cid:859)s (cid:272)op(cid:455)right. Is the (cid:373)aterial stole(cid:374) (cid:858)proper su(cid:271)je(cid:272)t-matter(cid:863) of a (cid:272)op(cid:455)right: did the respo(cid:374)de(cid:374)t i(cid:374)te(cid:374)tio(cid:374)all(cid:455) appro(cid:448)e the appli(cid:272)a(cid:374)t(cid:859)s (cid:449)ork to sa(cid:448)e ti(cid:373)e a(cid:374) effort, was the stole(cid:374) (cid:373)aterial used i(cid:374) the sa(cid:373)e/ si(cid:373)ilar (cid:449)a(cid:455) as that of the appli(cid:272)a(cid:374)t(cid:859)s. Performance: acoustic or visual representation of the work; different from that of the radio, tv or other tech.