MUSC 2150 Chapter Notes - Chapter 4: Harriet Nelson, Otis Redding, Connie Francis

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The demise of rock and the promise of soul (1959-1963) By the end of the (cid:883)(cid:891)(cid:887)(cid:882)"s independent labels that supplied rock records and. Nearly everyone in the music business was on the lookout for the (cid:498)next big thing(cid:499) (cid:523)turned out the next big thing was the beatles but they didn"t become popular in the us until early 1964) American bandstand and the rise of a youth dance culture. The adults in the room: brill building and aldon publishing important music publishers. The brill building, located midtown manhattan, housed many of the most. Frankie aavlon, bobby rydell, freddy cannon, bobby vee, paul. Anka, and bobby darin among black audiences: although teen idols were usually white, they often found popularity. American bandstand also helped to make rock and roll more acceptable to adults. American bandstand: dick clark (the shows emcee) was the most powerful voice in.

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