Chapter 5 - Textbook Notes

29 views7 pages
user avatar
Published on 7 Jun 2011
Chapter 5: The Perception of Color
Basic Principles of Color Perception
The colour we see is related to wavelength
We see things that reflect light
Darker surfaces absorb light
Colour is result of interaction btw physical w/ nervous system
The Problem of Univariance
photoreceptors respond to different wavelengths with different strengths
however, we can get the same response from more than one wavelength
when intensity varies, we can also get the same response
Therefore, output of photoreceptor itself doesnt tell us colour
Problem of univariance: combinations of intensity and wavelengths produce the
same response, so we cant tell colour
Rods and Cones
Rods are sensitive to low light levels
oContain photopigment rhodopsin
Scoptic: Light level bright enough for rods but too dim for cones
oi.e. low light levels
owe can tell light from dark, but still cant see colour
cone receptors sensitive to daylight levels
photopic: bright enough to stimulate cones and saturate(max out) rods
cones have one of 3 different wavelength senstivies:
odepends on peak response
oS-cones: sensitive to short wavelgneths (blue)
peak at 440
oM-cones: sensitive to medium wavelengths (green)
Unlock document

This preview shows pages 1-2 of the document.
Unlock all 7 pages and 3 million more documents.

Already have an account? Log in
Peak at 535
L-cones: senesitve to long wavelengths (red)
Peak at 565
Because we have 3 types of cones, each gets diff response for a wavelength, allows us
to distinguish colours
oIf we change intensity, ratio of response btw cones is same
Trichromaitc theory of colour vison (trichromacy): Colour is understood by relation
btw responses from 3 cones
Actually see mix of wavelengths at same time
If we mix 2 wavelengths and consider 2 cones; sum response together, we can get the
same response from a signle wavelength
oE.g. red for L-cone, green for M-cone = Yellow
Metamers: mixtures of wavelengths that look the same
Individual wavelengths dont change when mixed
oExact amounts are needed
Lights, Filters, and Finger Paints
Additive colour mixture: mix of lights when light reflects together onto surface of eye
oe.g. computer monitor is mix of dots up close, red + green light = yellow
opossible with painting by using small spots
Subtractive colour mixture: When 2 pigments mix, light shining is subtracted by
We see the result of the subtraction.
oe.g. mix red & green paint, see brown
ocolour filters act like this, removing specified colour
whats left is what we see
Three Numbers, Many Colours
can make same colour without same physical properities b/c of metamers
Unlock document

This preview shows pages 1-2 of the document.
Unlock all 7 pages and 3 million more documents.

Already have an account? Log in

Document Summary

Metamers: actually see mix of wavelengths at same time. Individual wavelengths don"t change when mixed: exact amounts are needed. Intensity of light: nonspectral hues are colours only possible by combining wavelengths. History of t richromatic theory: basis was newton"s discopery that prism would break sunlight into spectrum of hues, knew colour was production of mind, maxwell found we could match colours with just 3 lights (rgb)  diff chromatic info is put against each other: have enough cells to have opponent colour system. Psychophysical roots of opponent color theory: opponent colour theory: seeing colour is based on opposites, red-green, blue-yellow, black-white, hue cancellation (adding opp. Afterimages: another way to see opponent colours: afterimages, e. g. look red, then grey. Colour in the visual cortex: there is a mismatch between colour perception and lgn cells, e. g. Excited by yellow and inhibited by blue, but not true: means lgn is not end of colour processing.