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Textbook Notes for Andy Lee

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UTSCVPMA99H3Andy LeeWinter

Chapter 16 Study Guide

OC30235 Page
26 Apr 2011
14
Chapter 16: the late eighteenth century: haydn and mozart. Mozart was a virtuoso pianist and highly efficient string player. Both composed prolifically
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UTSCVPMA99H3Andy LeeWinter

Murray Schafer Study Guide

OC30231 Page
27 Apr 2011
18
Studied in university of toronto with john weinzweig. World soundscape project is a study of relationships between people and their acoustic environmen
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UTSCVPMA99H3Andy LeeWinter

Chapter 23 Study Guide

OC30233 Page
25 Apr 2011
22
Chapter 23 music, politics, and the people in the european twentieth century. Layering and juxtaposition of static blocks of sound. Supernatural creatu
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UTSCVPMA99H3Andy LeeWinter

Chapter 20 Study Guide

OC30232 Page
13 Mar 2011
26
Brahms follows classic masters to compose his work. Wagner and liszt develop new genres like music drama and symphonic poem respectively. Dichotomy bet
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UTSCVPMA99H3Andy LeeWinter

Chapter 25 Study Guide

OC30232 Page
25 Apr 2011
17
Chapter 25 the changing world of music since 1945. Compose many pieces on religious subjects because he is a devout catholic. Violin and clarinet play
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UTSCVPMA99H3Andy LeeWinter

Chapter 19 Study Guide

OC30234 Page
13 Mar 2011
27
Chapter 19 opera and music drama in the nineteenth century. From plots with strong political overtones to stories that center on private emotions and p
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UTSCVPMA99H3Andy LeeWinter

Chapter 22 Study Guide

OC30234 Page
22 Apr 2011
17
Chapter 22 the european mainstream in the early twentieth century. Draw from french tradition a preference for indirect, tasteful, and restrained expre
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UTSCVPMA99H3Andy LeeWinter

Chapter 18 Study Guide

OC30234 Page
13 Mar 2011
24
Instrumental music can communicate pure emotion without using words. Audience was increasingly made up of middle class. Composers grouped songs into co
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UTSCVPMA99H3Andy LeeWinter

Chapter 15 Study Guide

OC30232 Page
9 Feb 2011
22
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UTSCVPMA99H3Andy LeeWinter

Chapter 17 Study Guide

OC30232 Page
9 Feb 2011
34
People of new industrial age believed in progress and cultivated unprecedented enthusiasm for the future. Beethoven"s total number of work is small by
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UTSCVPMA99H3Andy LeeWinter

Chapter 52 Study Guide

OC30236 Page
23 Apr 2011
26
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