CIN105Y1 Chapter Notes - Chapter all: Complete Control, Tom Cruise, Cinema Of The United States

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Once we recognize how and to what degree film music shapes the perspective of the. Hearing is more selective and lazier than vision (viewer attention to music can be. The interactions between the film and music (narrative context) determines. (cid:373)usi(cid:272) sets (cid:373)ood a(cid:374)d to(cid:374)alities i(cid:374) a fil(cid:373); guidi(cid:374)g the (cid:448)ie(cid:449)e(cid:396)(cid:859)s (cid:448)isio(cid:374) lite(cid:396)al-/figuratively. Parallelism (music resembles action/mood of scene) v counterpoint (cid:894)it does(cid:374)(cid:859)t(cid:895) Any music applied to film will affect it, diff music applied to a scene will elicit a diff. Ou(cid:396)iau(cid:859)s defi(cid:374)itio(cid:374) of diegesis (narratively implied spatiotemporal world of the actions. Diegetic musical silence (lack of music that makes diegetic space more immediate, risk. Structural silence (sound previously present is later absent, usually used to signify loss. Different instruments elicit different audience film relationships (violin=more pathos, Documentary is a representation of the world we occupy. Documentary as a genre is a (cid:862)fuzz(cid:455) (cid:272)o(cid:374)(cid:272)ept(cid:863) a(cid:374)d (cid:374)ot all (cid:449)ithi(cid:374) the (cid:272)atego(cid:396)(cid:455) (cid:396)ese(cid:373)(cid:271)le. No fixed techniques, more an arena where things change.

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