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Textbook Notes for Austin McCabe

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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 66: Jennifer Higdon, New Romanticism, Crotales

Emma Bernardi1 Page
9 Dec 2018
0
Ch 66 - neo-romantic evocations: higdon and program music into the 2000s. A new romanticism? the romantic style never really went away, but as time wen
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 61: Symphonic Poem, Polytonality, Absolute Music

Emma Bernardi1 Page
10 Nov 2018
0
Ch 61 - classic rethinking: bartok and the neo-classical turn. Musical characteristics meaningful in a particular cultural context may change meaning w
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 51: John Philip Sousa, Piano Roll, Duple And Quadruple Metre

Emma Bernardi1 Page
4 Nov 2018
0
Ch 51 - a good beat: american vernacular music at the close of an era. A good beat makes us want to dance and get together. Ragtime - modified rhythmic
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 52: Klangfarbenmelodie, Sprechgesang, Pointillism

Emma Bernardi1 Page
3 Nov 2018
0
Creativity involves a balance b/t innovation and tradition. Dissonance became the norm, instead of always consonance. Atonal music - saying that the 12
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 43: Absolute Music, Tempo Rubato

Emma Bernardi1 Page
19 Oct 2018
0
Ch 43 - absolutely classic: brahms and the 1800s symphony. Ppl liked that absolute music could be interpreted in many diff ways. Continued writings of
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 34: Opera Buffa, Duple And Quadruple Metre, Aria

Emma Bernardi1 Page
19 Oct 2018
0
Ch 34 - making it real: mozart and classical opera. Certain aspects of opera try to convey reality. Mozart"s comic operas depict human beings that do w
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 32: Giulietta Guicciardi, Scherzo, Counterpoint

Emma Bernardi1 Page
19 Oct 2018
0
Ch 32 - personalizing the conversation: beethoven and the classical sonata. Sonata - instrumental work for 1 or 2 instruments, consisting of 3-4 contra
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter 28: Musical Conversations

Emma Bernardi2 Page
19 Oct 2018
0
Ch 28 - musical conversations: haydn and classical chamber music. Theme - a musical idea that is used as a building block in the construction of a comp
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 23: Oratorio, Ritornello, Fugue

Emma Bernardi1 Page
19 Oct 2018
0
Ch 23 - textures of worship: handel + the english oratorio. Handel"s messiah was widely popular, uncommon for music pre-1700s. Handel"s oratorios combi
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 18: Gregorian Chant, Cantus Firmus, Counter-Reformation

Emma Bernardi2 Page
19 Oct 2018
0
Ch 18 - glory be: music for the renaissance mass. Catholics wanted pro choirs + complex songs. Mass - most solemn ritual of the church. Ordinary - text
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter Notes - Chapter 8: Gospel Music, Strophic Form, Melisma

Emma Bernardi1 Page
4 Sep 2018
0
Grecians used to think music w/out words was lacking. We have to consider if they words communicate something that can be understood, or if they are no
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OSUMUSIC 2251Austin McCabeFall

MUSIC 2251 Chapter 7: Musical Expression: Tempo + Dynamics

Emma Bernardi1 Page
4 Sep 2018
0
Ch 7 - musical expression: tempo + dynamics. Tempo is the rate of speed, or pace, of the music. Carries emotional implications ex) we talk fast when ex
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