ENGLISH 325 Chapter Notes - Chapter 6: Interpolation, Intertextuality, Joan Didion

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23 May 2018

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Mikaela Bradley

English 325

Dr. Conway

5/22/18

Reading Response

Fed Mote’s eepts fo Black and Blur, Pefae ad Itepolatio ad

Itepellatio speak deeply to the expressiveness of black music and the story that is often

behind the lyrics. From the first line, where it states that the goal is to attept a patiula

kid of failue, tig had ot to sueed has a kid of otaditio to it. You do not normally

t to fail o t had to ot sueed, ut It ade e ead the piee though a diffeet les.

When listening to music, I do not typically think deeply about the words or listen intently. When

I do, I am often off put by some of the lyrics in current pop culture. Using the reference of the

sog Ghetto “upasta thoughout the essa kept igig the authos’ poits ak up. The

writing talks about the deep meaning behind lyrics and how songs are often written to tell

stoies, oetig this idea to a oel also  the ae of Ghetto “upasta. His conclusion

as e oise, laiig that lak usial pefoae offes for us an instance of itself as

the ongoing reproduction of that which disrupts reproduction from within the very process of

epodutio of the oditios of the apitalist podutio. This uotatio stuk e due to

the ultiple uses of the od epodutio ad ho it otiuall disupts itself. The piece

Oea Pak #6, from Dreaming of Ramadi in Detroit, by Aisha Sabatini Sloan explores the

topic of grief in response to death through the incorporation of works by other authors or

artists. I liked the braided structure that it used, reflecting some of the ideas we have learned

about through reading essays from Bending Genre. I like how she mentioned Joan Didion, since

we have read some of her work and I have some sort of background about her. I find it is easier

to understand intertextuality when I have read the authors mentioned before. The way Aisha

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