PSY246 Lecture Notes - Lecture 10: Focal Dystonia, Dystonia, Soundexchange

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Language Production Week 10
Lecture topics:
1. Contrasting, speaking, writing, singing
2. Four levels at which we can analyse speech production
3. Types of speech errors and their significance
4. Theories of speech production and communication
5. Disorders of language and music
6. The role of speech prosody and gesture
Speech vs. Writing
Similarities:
o Both involve words, phrases, sentences, ideas
o Both involve planning the meaning to be communicated
o Proceeds on a phrase-by-phrase or clause-by-clause basis
Differences:
o Speakers more often know their audience
o Speakers get moment to moment feedback from listeners
o Speakers have less time to plan
o Writers typically have direct access to what they have written so far
o Different effects on memory? more of a burden on speech than
writing
Speaking vs. Singing
Similarities
o Both involve vocalization of words and phrases
o Both involve linguistic and vocal planning prior to vocalization
o Both draw on brain resources with language capacity (speaking
specialises more in left hemisphere; singing on right)
o Proceeds on a phrase by phrase or clause by clause basis
Differences
o Speakers usually work out what they say as they say it; singers usually
sing memorized sequences of pitches and words
o Speakers vary the pitch of voices intuitively; singers adhere to specific
changes in pitch called the melody
o Speaking is often casual interaction; singing is often formal
o Speaking focuses on communication; singing on aesthetic experience
o Speaking involves ‘turn taking’; singers often all sing at once
Speech as ‘improvisation’ –
Need strategies to reduce processing demands
Pre-formulation:
o Re-using phrases that were used before
70% of our speech involves word combinations we use
repeatedly
‘OMG’, ‘are you kidding me’, ‘that is amazing’
Under-specification:
o Using simplified expressions instead of being specific
‘and such’, ‘or something’, ‘and so forth’, ‘things like that’
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Four levels of speech production
Semantic level (meaning)
Syntactic level (how you string words together, the order)
Morphological level (‘cat’ but also ed, pre, s, un, ing)
Phonological level (actual sounds; mat = 3 sounds m, a, t)
They may be handled at different ‘stages of processing’
Progresses from high-level plans to low-level implementation
What are the units of planning?
Clauses (subject-verb: “I walked home”) – a whole idea
o Pauses tend to occur before new clauses
o Word-exchange errors can occur anywhere in a clause
Phrases (no subject-verb: “best-friend”)
o Pauses are longer before complex than simple phrases, BUT
o Word-exchange errors can occur across different phases
Flexibility in planning
o Pauses can occur before either clauses and phrases
o Amount of planning depends on speed/fluency demands
Breakdown in speech planning
Errors can be:
Anticipatory
o Planned sound is vocalized too early
o Cuff of coffee, Railtroad Tracks
Perseveratory
o Earlier sound is mistakenly repeated
o Chicken nookle soup, Little Led Riding Hood
Tongue twisters: which errors are most common?
o She sells seashells by the seashore
o I saw Susie sitting in a shoeshine shop
Speech errors: a window to mental processes!
Other types of speech errors
o Morpheme-exchange errors
o Word-exchange errors
o Sound-exchange errors (spoonerisms humorous effect e.g. you hissed
my mystery lectures) e.g. tup of cea (cup of tea)
o Lexical-selection error
o Semantic substitution (e.g. where is my briefcase instead of ‘bag’)
o Number-agreement error (e.g. ‘a number of animals indicate’)
Error detection
o Done by comprehension or speech production system?
Evidence from aphasics favours speech-production system
Theories of speech production
1. Spreading-activation theory (Dell)
“Parallel processing” – neural network
Nodes vary in activation, which spreads to related nodes
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