FST-3 Lecture Notes - Lecture 22: Moses Ben Joshua, Impermanence, Bertolt Brecht
Document Summary
An internalized, imaginary, or image-based relation to an actual situation it guides behavior. Strives to make the uneven distribution of power natural justifies existing hierarchies. Comolli and narboni film categories: dominant films, resistant films the radical film, formally resistant films, content-oriented political films, fissure films, live cinema i, live cinema ii. Radical film attack ideological assimilations in two fronts radical films are political in nature. Breaks the traditional way of depicting reality and continuity (classical system) and breaks convention with form changing viewing practices/changing the way the audience is used to viewing a film. Generally, films connect audience to the characters on stage through music, lighting, etc. However, instead of feeling emotion, the audience spend more time thinking in brecht"s plays, since he constantly pulls the audience out of story space [realistic portrayal of what the audience is being immersed in]
