VIS 20 Lecture Notes - Lecture 11: Classical Antiquity, Light Beam, St. Anger

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5 Jun 2018
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Europe 1600-1700: Baroque Art in Italy
Theme: art involving physical reality, involving emotions and human interaction
Beginnings of the counter-reformation - an attempt to fight back against protestantism
Ecstasy of St. Theresa in Cornaro Chapel
By Bernini, inside the transept of the church
Church was dedicated to St Mary of Victory
Barrel vault with stucco angels and clouds, dove of the holy spirit
Opera boxes to the side-> shallow relief that makes the background appear like a
larger space; 4 portrait sculptures of cardinals of the church (celebration of the
cornaro family)
Lighting from behind the pediment-> natural light on saint theresa
Two figures floating on a marble cloud
Saint theresa of ovula, died in 1582, one of the reformers of catholic
church, founded barefoot caramel lights, wrote books about prayer,
experienced ruptures where she felt physically one with god -> asked
people to sit on her so she won’t float away
Bernini translated her description of her ecstasy into marble
Bernini was reprimanded for prostituting and making the saint teresa's religious
experience into a physical one
Cathedra Petri, Bernini Saint Peter’s Rome
Piazza with circular colonnade
Canopy over the altar, marble sculptures, all designed by bernini
“The bishop’s throne of Saint Peter”- a reliquary
Wooden throne of saint peter, saint peter was the first pope, reinforces authority
Covered in bronze with gold gilding
Angels perched on the back, keys to heaven, carrying the headgear of the
pope
Four church fathers supporting the throne
Importance of theological writings
Stained glass window with the dove of the holy spirit
Gilded lights and clouds and angels
Meant to be overwhelming and dramatic
David, by Bernini - in a public Villa from a patron
David in battle, hurling a stone towards goliath
5’7’’, lifesize, made of marble, based made of the armor given to david
More prudish Heroically nude, figure twisted -> makes people interact with it,
Shepherd's pouch, cloak covering up david,
Muscular but thinner, contorted face with effort, realistic
San Carlo alle Quattro Fontane, Borromini
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Document Summary

Theme: art involving physical reality, involving emotions and human interaction. Beginnings of the counter-reformation - an attempt to fight back against protestantism. Ecstasy of st. theresa in cornaro chapel. By bernini, inside the transept of the church. Church was dedicated to st mary of victory. Barrel vault with stucco angels and clouds, dove of the holy spirit. Opera boxes to the side-> shallow relief that makes the background appear like a larger space; 4 portrait sculptures of cardinals of the church (celebration of the cornaro family) Lighting from behind the pediment-> natural light on saint theresa. Two figures floating on a marble cloud. Bernini translated her description of her ecstasy into marble. Bernini was reprimanded for prostituting and making the saint teresa"s religious experience into a physical one. Canopy over the altar, marble sculptures, all designed by bernini. The bishop"s throne of saint peter - a reliquary. Wooden throne of saint peter, saint peter was the first pope, reinforces authority.

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