ARTH 2610 Lecture Notes - Lecture 12: Eur, Rome, Enrico Del Debbio, Boris Iofan

• School: Carleton University
• Department: Art History
• Course: ARTH 2610
• Professor: Michael Windover

Document Summary

Key points for today: a(cid:396)(cid:272)hite(cid:272)tu(cid:396)e i(cid:374) mussoli(cid:374)i(cid:859)s ital(cid:455, the soviet pavilion: socialist realism, hitle(cid:396)(cid:859)s a(cid:396)(cid:272)hite(cid:272)tu(cid:396)e (cid:894)(cid:448)s. the (cid:449)o(cid:396)k of mies (cid:448)a(cid:374) de(cid:396) ohe(cid:895) Rationalized portico (slender supports instead of columns); as(cid:455)(cid:373)(cid:373)et(cid:396)i(cid:272)al, (cid:271)ut idea of the (cid:858)golde(cid:374) se(cid:272)tio(cid:374)(cid:859) (cid:894)p(cid:396)opo(cid:396)tio(cid:374)s(cid:895: same materials on the outside used inside; grid formation of outside also continues inside. Inner courtyard: place for rallies, etc: strong sense of the plane (modern use of the surfaces, modern furniture, modern decoration, but in a classical fram, like corbusier, but loaded with political. Palazzo della civilta italiana, giovanni guerrini, ernesto la padula, and mario romani (eur), Rome, 1937: reduced/rationalized classicism (rhetorical monumentality): modern twist on the. Coliseum: dedicated to the greatness of italian civilization. Socialist realism (populist element: seeing yourself in the art) German pavilion, albert speer, paris, 1937: not really as dynamic as the soviety pavilion, very different from weimar germany portrayal of last fair.