ARTH 2550 Lecture Notes - Lecture 2: Mattress, Orsanmichele, Cennino Cennini

• School: University of Guelph
• Department: Art History
• Course: ARTH 2550
• Professor: Martina Meyer

Document Summary

Medieval inspiration: underrated but as important as the classical revival. It already created footprints for people to rediscover the classical antiquities: the corporeal body, the (cid:862)(cid:272)orpse(cid:863, the actual human body, psychology, the distinction between divinity and humanity was done through the reality of. Jesus" ph(cid:455)si(cid:272)al (cid:271)od(cid:455) a(cid:374)d ho(cid:449) it (cid:272)a(cid:374) feel pai(cid:374): earlier representations of christ focused on divinity and serenity where he is never suffering during a crucifixion scene, where his divinity overcomes pain. It"s (cid:374)ot just ph(cid:455)si(cid:272)al, (cid:271)ut also ps(cid:455)(cid:272)hologi(cid:272)al: (cid:862)cru(cid:272)ifi(cid:454)io(cid:374) (cid:449)ith t. Bridget i(cid:374) adoratio(cid:374)(cid:863: lessons from new testament: break down the distinction between man and god and understand it in a way where he gets us and sympathizes with our pain. Roettgen pieta (a pieta is mary holding her adult son: germany, painted wood, 1300-1325. It depicts the true horror, showing the corporeal nature of the body.