FAH332H5 Lecture Notes - Lecture 4: Putto, Cassiano Dal Pozzo, Cardinal Mazarin
Document Summary
Week 4 mythology & the here and now; focus on poussin and rubens. Looking out at viewer; connection; engaging as friend: viewer would likely be patron, (cid:862)la(cid:374)ds(cid:272)apes (cid:449)ith ashes of pho(cid:272)ia(cid:374)(cid:863) (cid:1005)(cid:1010)(cid:1008)8, did landscape paintings often, biblical scenes treated as historical, occasionally included figures in his landscapes. French royalty (very influential: poussin was very influenced by italian renaissance (ex. Venus and adonis, 1626: venetian paintings, poetic subject matter, soft style and paint handling, textures, soft contours, deep rich colour, with subtle drama contrasts of light and dark, colorito, often strong emotional quality, ex. mourning, story: Lustful diana on chief chief roman gods (greek: artemis: goddess of hunt/nature, moon (as selene), and virginity (despite lustfulness, has crescent moon on forehead, sworn off men, though tempted by attractive mortal shepherd, Jea(cid:374) ogier de go(cid:373)(cid:271)auld"s l"e(cid:374)di(cid:373)io(cid:374)(cid:863), (cid:1005)(cid:1010)(cid:1006)(cid:1008: engraved illustration by crispin de passe the younger, similar pose, but without the emotional drama.
