CIN105Y1 Lecture Notes - Lecture 7: Silent Film, Diegesis, Counterpoint

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Invisibility (cid:894)(cid:455)ou should(cid:374)"t hear the (cid:373)usi(cid:272), the (cid:373)usi(cid:272) should (cid:373)erge i(cid:374)to the fil(cid:373), the mise-en-scene) Signifier of emotion (signify the connection between us as viewers and the film) Continuity (music is blinking and supporting all the elements of mise-en-scene, editing, and cinematography. Escape clause (cid:894)ma(cid:455)(cid:271)e it"s (cid:272)reati(cid:374)g dis(cid:272)o(cid:374)(cid:374)e(cid:272)t, (cid:374)ot (cid:272)o(cid:374)(cid:374)e(cid:272)ti(cid:374)g thi(cid:374)gs, it sta(cid:374)ds out(cid:895) Composers must subordinate musical action to the demand of the narrative. Ideological value that are bound up with these principles: transparency, clarity, coherence, and subordination. The score- that is, the non-diegetic music supports the development of the narrative, reinforcing the plot information already provided by the image. This has governed and stabilized the use of music in cinema since early 1930s. Parallelism (music matches the actions of characters. e. g. disney carton) / counterpoint (when you have a music irrelevant to the film, make audience feel uncomfortable.

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