MUS 101B Lecture Notes - Lecture 5: Minor Scale
Document Summary
Iv and iv6 tonic expansion progression rules. V-iv6-v6/5 ascending stepwise bass; raise ^6 and ^7 in minor keys; ^7 goes back to tonic. Vi double the 3rd in root position; avoids faulty parallels. Major keys: v-vi -- deceptive cadence (dc) ends like a question. Minor keys: v-vi -- deceptive cadence (dc) ends like a question. V7 omits the 5th; double the root. Inversions of v7 must have all notes present. I6-iv6 not commonly seen example: descending bass of i-iv6-i6 in haydn"s symphony #101 in d+