THEA 1206 Lecture Notes - Lecture 16: Moscow Art Theatre, Bertolt Brecht, Working Set

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Modern theatre: 1875-1945: a time of revolution, ca(cid:374) (cid:271)e su(cid:271)di(cid:448)ided i(cid:374)to (cid:373)a(cid:374)(cid:455) differe(cid:374)t (cid:862)(cid:373)o(cid:448)e(cid:373)e(cid:374)ts(cid:863) or (cid:862)is(cid:373)s(cid:863, all are marked by a search for universal truth. Realism: everything onstage is crafted to resemble everyday life no theatrical conventions or abstractions, representational. I(cid:373)agi(cid:374)ar(cid:455) (cid:862)fourth (cid:449)all(cid:863) re(cid:373)o(cid:448)ed and no acknowledgement that audience was watching: practical, working set pieces onstage. Naturalism no dramatic forms or coventions at all. Emile zola led the naturalist movement in france. Vsevolod meyerhold russia(cid:374) stude(cid:374)t of ta(cid:374)sla(cid:448)ski, theatre should (cid:862)deli(cid:271)eratel(cid:455) e(cid:454)aggerate a(cid:374)d distort(cid:863) real life, auteur dire(cid:272)tor, bio(cid:373)e(cid:272)ha(cid:374)i(cid:272)s training the actor"s (cid:271)od(cid:455) to (cid:449)ork like a (cid:373)a(cid:272)hi(cid:374)e influenced by taylorism, Ubu roi alfred jarry, story from childhood, caused a riot the frist night it was performed, Labeled as avant-guard theatre- violently assaulted realism omg you are so picky. Expressionisms- externalizes and exaggerates ideas and internal struggles, emotional turmoil and strife.

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