Music 1a Lecture Notes - Lecture 17: Lutheran Chorale, Picander, Orlande De Lassus
17 Mar 2016
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St. matthew he only marked the polyphony because people would know the other parts: the rise of the oratorio passion, many composers, including heinrich schutz, adapted the dramatic passion with a. German text to lutheran use: by the late 17th century, a new concerted version began to appear an oratorio passion, like a sacred opera without actors on a stage. Employs recitatives, arias, ensembles, choruses, and instrumental pieces. All of these lend themselves to dramatic, almost operatic presentations. Poetic meditations on the gospel story were inserted at appropriate points in the passion text: typically set as solo arias, sometimes with preceding recitatives. Appear in different keys and different four-part harmonizations (15, 17, The singing of this chorale follows directly from the biblical narrative: scoring. Two organs: sixty-eight movements, lord, is it i? polyphonic texture, picander"s interpolated poetry. It is evening and joseph of arimathea ask pilate for the corpse for burial.
