MUS 1751 Lecture : Audio Lecture No 6 Outline
Document Summary
Ch 18 classical forms: theme and variations and rondo, focusing on the 2nd movement of haydn"s. If you hear harmony/chords well, you might notice that the succession of chords (we call it a. Chord progression ) does not change as much maybe not at all in a classical th and var: harmonies remain the same in successive variations in mozart"s twinkle (i"ll demonstrate the printed excerpts you see on pp. 180-181: recall my demonstration on ellington"s satin doll (i"ll demonstrate a short excerpt here) in which i used the same harmonies heard in the theme while i improvised a variation.
