IAH 207 Lecture Notes - Lecture 11: Bogeyman, Danse Macabre, Rightful Heir

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Walpole, (cid:862)p(cid:396)efa(cid:272)e to the fi(cid:396)st editio(cid:374)(cid:863: walpole"s fi(cid:396)st p(cid:396)eface is itself a fiction, one that he comments on and adds to the. Lecture notes fiction of the story itself: how the story comes to us is layered, or filtered, or messy, similar to the frame (cid:374)a(cid:396)(cid:396)atio(cid:374) i(cid:374) le fa(cid:374)u"s story or the story-within-the-sto(cid:396)(cid:455) of (cid:862)pla(cid:455)test(cid:863). Gothi(cid:272) fi(cid:272)tio(cid:374)s often depend on a complex mode of delivery, rather than straightforward storytelling. In it, walpole raises a cluster of questions central to all gothic fictions. Go(cid:455)a (cid:862)the (cid:271)ooge(cid:455)(cid:373)a(cid:374) is (cid:272)o(cid:373)i(cid:374)g(cid:863: the boogeyman (is not the catholic church in otranto, (cid:862)a (cid:272)o(cid:373)(cid:373)o(cid:374) allusio(cid:374) to a (cid:373)(cid:455)thi(cid:272)al (cid:272)(cid:396)eatu(cid:396)e i(cid:374) (cid:373)a(cid:374)y cultures used by adults or older children to frighten bad children into good behavior. O(cid:374)e of g(cid:396)i(cid:373)(cid:373)s" fai(cid:396)(cid:455) tales: once upon a time there was a child who was willful and did not do what his mother wanted.

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