HISTART 2901 Lecture Notes - Lecture 13: Cinematic Techniques, Ringo Kid, Long Shot

• School: Ohio State University
• Department: History of Art
• Course: HISTART 2901
• Professor: Steven Hunt

Document Summary

New technical developments in narrative cinema after the silent era. Pre-lap/sound bridge/transition: sound used to anticipate a scene with sounds rom the upcoming scene beginning in the final frames of the previous scene. Sound match: sound that unites or links two distinct shots, due to the similarity of the sounds being made in each of the shots example: hitchcock, woman screaming and train blowing. Off-screen sound: sound employed without a visual source in the shot but assumed to be related to action or events outside the frame. Sound perspective: the sense of a sound"s position in space, yielded by its timber, volume, and its pitch. Overlapping sound: dialogue, music, or ambient noises happening all at once; multiple sources of sound being used in a scene, usually in action sequences. Subjective sound: sound equivalent to a point of view shot; sound as it appears in the perception of a specific character.