MUSIC 308A Lecture Notes - Lecture 12: Petrarchan Sonnet, Cipriano De Rore, Literary Theory
Document Summary
Itali an m adrig als: dunstable introduced homophony to the franco flemish single text, focus on text and its interpretation. English countenance popular in the burgundian court in france, 3rds and 6ths, humanist push for pleasure chanson. Made text more humanistic, based on secular chanson. No third, completely inconclusive: use of printing press, pavane, tilman suzata / spanish guitar di huela / mass setting kyrie , counterpoint of mille regretz (served as the cantus firmus) Italian madrigals: most central genre in the renaissance, verdelot, from franco flemish france goes to florence via the alps, composers who did this were referred to as oltremontani (other side of the mountain) appropriated milles. Regretz: motet in latin at this point polyphonic vocal work through composed on latin nonliturgical work, chanson polyphonic vocal work through composed on french nonliturgical work. Italian madrigals polyphonic vocal work through composed on italian nonliturgical work.
