ENGL 300 Lecture Notes - Lecture 5: Staccato, Tracking Shot, Total Film

• School: University of Arizona
• Department: English Main
• Course: ENGL 300
• Professor: Rodrigo

Document Summary

Ci(cid:374)e(cid:373)atograph(cid:455) (cid:894)(cid:862)(cid:449)riti(cid:374)g i(cid:374) (cid:373)o(cid:448)e(cid:373)e(cid:374)t(cid:863)(cid:895) depe(cid:374)ds to a large e(cid:454)te(cid:374)t o(cid:374) photograph(cid:455) (cid:894)(cid:862)(cid:449)riti(cid:374)g i(cid:374) light(cid:863)(cid:895) Most often, the filmmaker uses a camera to regulate how light from some object will be registered on the medium. Contrast refers to the comparative difference between the darkest and lightest areas of the frame. Helps fil(cid:373)(cid:373)akers guide the (cid:448)ie(cid:449)er"s e(cid:455)e to i(cid:373)porta(cid:374)t parts of the fra(cid:373)e a(cid:374)d to gi(cid:448)e the shot a(cid:374) emotionally expressive quality. Most professional cinematography strives for a middle range of contrast: pure blacks, pure whites, and a large range in between. A higher-contrast image displays bright white highlights, stark black areas, and a narrow range of shades in between. A low-contrast image displays many intermediate grays or color shades with no true white or black areas. Is a crucial way to alter the tonalities in the image. Is often only noticed when an image seems too dark or too bright.